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Prints

on paper, metal, earth, etc.... all require the exertion of

Pressure

just not by my body; usually. Action as found object.

I am very much a part of the Fluxus - by allowing things to happen with out any more interference then orchestrating the game. I consider myself a fair referee- I calls it like I sees it.

Students often ask "When do you know a drawing is done?"

I reply: You will know the second you ruin it.

Its getting that taste of almost knowing that will develop by repeatedly 'failing'. Eventually one will say - "I think I'm about to ruin this drawing" and they keep going....Blech. Never happens again.

The paradox of spinning in the whirlpool to learn to navigate out. One has to nurture this, for success to fly the nest.

I've pressed this concept to the point of allowing mere art supplies to randomly bond with worldly, beyond my control, occurrences.

A Maestro of material, field of play and time of game.

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Prints
Vyd Catalina series
Catalina series
burnouts on wood, paper, metal
Nectar Dog Drawing
Nectar Dog
various projects
Native Charcoal drawing
Burnt Sabal series
Native Florida charcoal from the the controled burns in everglades of Sanibel Island. living sticks of carbon!
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art teacher
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political art
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Unprinted Rauschenberg
Unprinted Rauschenberg
 
street print
24 Hours Later She Was Dead
 
MFA art show poster
Vyd's Modus Operandi
FSU MFA graduation art show poster
 
 
 

mfa art portfolio

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tampavyd@gmail.com
Sculpture - Paint - Digital - Charcoal - Print - Words - Video - JuxtaPop! -Politics - Vyd